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From certified main room essentials to sun-kissed poolside vibes, capture the magic of Miami Music Week with 'Toolroom Miami '. Jolean Damian Lazarus Re-Shape.

Jolean - BPM. Played by: Danny Howard. UL 31 Jan 20 Deep House. New Faces Of Techno Vol Marcal - "Starlight" - BPM. DJ Pitts - "V? Veronezzi - "Loyalty" - BPM. Green Velvet. Bigger Than Prince Remixes 2. Played by: Theta state. Review: Originally released back in , Green Velvet's "Bigger Than Prince" is now made available in remixed format. Jamie Jones and Darius Syrossian's version adds wild rave stabs and splurging acid lines to the original version, while Alan Fitzpatrick's take is quite different; stripping the original back to tough drums and putting the focus on the original version's out there vocal narrative.

Last but by no means least is the Siege take. It's closest in sound to the original Chicago house sound that inspired "Prince Boasting searing, bleeding acid lines and rolling snares, these elements are the perfect accompaniment to Green Velvet's out there vocal narrative. Jolean Extended Mix. Space Date Remixes. Data Point - BPM. Review: This collaboration, originally released last year on Adam Beyer's label, now gets two different but equally effective remixes. First up is the Pleasurekraft pair with a peak time version.

Underpinning the original track's vocals with a visceral bass, heads-down drums and murky riffs, it strikes a flawless balance between being functional and Pleasurekraft's idiosyncratic sound. John Monkman, who has released on Kompakt and Crosstown Rebels, has also supplied a remix.

At first, his take sounds understated thanks to its low-slung rhythm and a more subtle use of the vocals, but a series of drum rolls quickly propel it towards the big room. DC 08 Jul 19 Techno.

The Darkside Vol 5. Jaxson - "Smokemachine" N. Deelco - "Resistencia" - BPM. Garcia - "Ntrance 2" - BPM. Rive Gauche - "Walking Schon - "Rennen" - 73 BPM. Radiohead - "Daydreaming" - 68 BPM.

Circus Recordings Moments Vol 9. Circus Recordings Albums. Cabarza - "Media" - BPM. The Last Generation. Space Date. Space Date - BPM. Also, Beyer's protege Layton Giordani had admired the mohawked Jones' work for as long as he could remember. When he got to DJ alongside him at Belfast's Shine - the spark and subsequent friendship was immediate.

The outcome of this respected trio's musical journey comes in the form of "Space Date" which will be familiar to many who've followed their sets over recent months.

Featuring a relentless main room stomp with steely hats and droney synth leads, all accompanied by Green Velvet's trademark vocal delivery. Clubhouse Records. It was at this point that Cajmere decided to start Cajual Records. Having his own label gave Cajmere the autonomy to attain his goal of developing a sound that was representative of Chicago. Later that year, he formed the sub-label Relief Records, mostly for instrumental tracks by himself and others.

The label gave birth to his first Green Velvet production 'Velvet Tracks'. When he emerged as the flamboyant, neon-haired Green Velvet to front mid's hits like 'Preacher Man', 'Answering Machine' and 'Flash', the shock-waves reverberated throughout house and techno scenes the world over.

This elaborately garbed, lyrically wild creature scored a direct hit, putting his hometown back on house music's production map. Jones has since brought his DJ stylings around the globe, playing house and techno under his Cajmere and Green Velvet monikers.

Change has been a constant theme throughout the successful career of Green Velvet, but as he has crossed genres, explored themes from the comedic to the serious and changed monikers, the common thread running through the music he has made for nearly two decades is its roots in and dedication to the Chicago House sound. The 17 years in between those two projects witnessed an incredible array of electronic music emanating from this prolific artist, as well as a second label under his direction,Relief.

The new century brought a compilation album, Green Velvet, during a brief signing with Warner Bros. His live act expanded as he began playing a keytar, with two other musicians — Nazuk and Spaceboy — backing him, playing heavily distorted synths.



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